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PUBLISHER: Arizton Advisory & Intelligence | PRODUCT CODE: 1238737

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PUBLISHER: Arizton Advisory & Intelligence | PRODUCT CODE: 1238737

Stock Music Market - Global Outlook & Forecast 2023-2028

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The global stock music market is expected to grow at a CAGR of 8.65% from 2022 to 2028

MARKET TRENDS & DRIVERS

Rising Need for Authenticity

Stock music made in studios devoid of inclusivity, diversity, and authenticity was a norm across marketing material from key brand assets to advertisements. Most music did nothing to set one brand apart from another owing to its familiarity, thereby not always resonating with its audience. They could also not trust advertising, which became akin to white noise. Marketing is, thus, being revolutionized, one that has its roots in authenticity. With the media and marketing industry becoming increasingly subtle, end-users of stock music are looking at not being a sell-out. Consumers, specifically millennials with their penchant for technology and all things social, find genuineness appealing. This led marketers to ditch these giant sprawls of repeatedly used internet-famous audio content and embrace authenticity as core to audio marketing. Such factors are projected to propel the stock music market.

Rise of Independent Content Creators

A good count of creators is earning significant income from their channels, pages, and profiles, acting as influencers or content creators, all translating to high demand for paid stock music used largely as background music or with sound effects. Currently, demand is being spurred by royalty-free and licensed music owing to the growth in independent content creation. However, stock music market vendors have also responded and designed their products and services around the trend of independent content creation, further fuelling their uptake in the industry. For instance, AudioJungle introduced new licensing terms, away from the one-size-fits-all concept that allows audio files to be used in the different ways content creators would use them.

The Podcast Renaissance

Podcast demographics are exploding, and the young generations have embraced the medium, encouraging many of these audio products globally. Countries such as China, apart from the US, use the medium to dole out all kinds of content, giving rise to new business models. These factors mean that stock music has a significant opportunity, whether used in podcasts or by brands advertising or aurally sponsoring story-driven content. Most podcast creators depend on stock music for ease; as paid podcast subscriptions grow, so are the industry revenues, thereby boosting the stock music market. The diversity for the kind of stock music required is vast as consumers tune in for everything from stories to education, marketing, training, and more.

INDUSTRY RESTRAINTS

Increasing Interest in Custom Music

Brands with a global base are exploring strategies to localize their offerings to develop a close equation with discerning customers. Essentially, they commission custom music from cultural change agents, i.e., touring musicians who work with specific genres or local musicians who have managed to create a deep impact in their respective regions. Through careful selection, brands have been working on evolving their global presence. For instance, brands such as Budweiser and Coca-Cola have their branding strategies rooted in music. Music, therefore, becomes a point of passion for its consumers. In scenarios such as these, stock music does not make sense. Although certain stock music composers try to create localized tracks, these tracks are mostly way before time leading to disinterest. This requirement for localization has created a substantial gap in the stock music market and has driven down the demand for stock music to a certain extent.

SEGMENTATION INSIGHTS

INSIGHTS BY PRODUCT

The global stock music market by product segments into the track and sound effect. The track segment dominated the global industry and was valued at USD 957.87 million in 2022. The global stock music market by tracks is witnessing steady growth fueled by the age of personal creation. The industry is undergoing a paradigm shift. The low-quality stock music that dominated the industry not too long ago kept great musicians out of the game, keeping track quality low. However, as emerging business models harmonize the quality and the price, genuine composers are re-entering the field and raising the industry's standard, thereby driving the demand for stock tracks. The music track segment is highly diversified. From players dealing with brand-name artists, such as Ricall Express and Song Freedom, to offering tracks from virtually unknown artists for low-budget use, it covers the entire spectrum of demands.

Segmentation by Product

  • Track
  • Sound Effect

INSIGHTS BY END-USER

The global stock music market for large businesses dominated with a 51.37% share in 2022. Audio or sonic branding, where brands create musical signatures, is witnessing growth as audio marketing comes to the forefront as part of innovative campaigns. The shift in consumption preferences of digital content from passive, video-based to audio-based content is underpinned by the understanding of the importance of marketing strategies that make it easy to consume content. This has caused the age of look and feels to be overridden by listen and feel, fostering the use of audio branding where consumers can easily identify with the brand. As a result, audio branding has come a long way since traditional iconic jingles, radio ads, and commercial ad music among large businesses.

Segmentation by End-User

  • Large Businesses
  • SMEs
  • Individual Content Creators

INSIGHTS BY LICENSE

The license fee-based global stock music market accounted for 64.29% of the industry's revenue in 2022. Since content marketing has become integral, the strategy has been capitalized with bland and over-optimized content. However, quality is now beginning to trump quantity. Hence, marketers prefer low-volume, high-quality content instead of low-quality content. This is shifting focus from royalty-free to licensed music, given that the latter's quality, appeal, feel, and authenticity is objectively better. Furthermore, there has been quite some progress and innovation in the music licensing segment.

Segmentation by License

  • Licensed Music
  • Royalty-Free

GEOGRAPHICAL ANALYSIS

North America dominates the global stock music market, accounting for an industry share of 50.86% in 2022. The region witnessed high growth for individual content creators in 2022, with rising attraction toward individual music production and content creation, which recorded revenue of USD 73.06 million. Moreover, the U.S. has one of the world's strongest, most influential, and most innovative music cultures, with audio naturally ingrained in the culture. It is the largest industry for radio globally, making up almost half the total radio revenues. While broadcast radio's ad spending is dropping, it is still the biggest industry driving the growth of stock music volumes.

Segmentation by Geography

  • North America
    • US
    • Canada
  • APAC
    • China
    • Japan
    • India
    • South Korea
    • Australia
    • Indonesia
    • Philippines
    • Taiwan
  • Europe
    • UK
    • Germany
    • France
    • Italy
    • Russia
    • Spain
    • Sweden
    • Switzerland
  • Latin America
    • Brazil
    • Mexico
    • Argentina
  • Middle East & Africa
    • UAE
    • South Africa
    • Saudi Arabia

COMPETITIVE LANDSCAPE

The global stock music market is moderately consolidated. The market has three types of agencies: single artists, community-based, and mass players. These agencies represent different types of products based on exclusivity. While players such as Getty Images and Shutterstock have imposed a consumer-facing business model (i.e., low price, high volume), the industry has come a long way. Several specialist agencies are catapulting the industry forward as they keep up with technology and demand developments. The five major vendors that dominate the stock music market are Audio Network, Getty Images, Shutterstock, Musicbed, and Pond5.

Key Company Profiles

  • Envato
  • Entertainment One
  • Getty Images
  • Musicbed
  • Shutterstock

Other Prominent Vendors

  • Tribe of Noise
  • Media Music Now
  • SoundCloud
  • 123RF
  • Artlist
  • Audiosocket
  • Bensound
  • Dreamstime
  • FyrFly
  • Jamendo
  • Motion Array
  • Music Vine
  • Videvo
  • Storyblocks
  • Soundsnap
  • Earmotion Audio Creation
  • Epidemic Sound
  • Pond5
  • MusicRevolution
  • Marmoset
  • Soundstripe
  • Neosounds
  • The Music Case

KEY QUESTIONS ANSWERED

  • 1. How big is the stock music market?
  • 2. What is the growth rate of the global stock music market?
  • 3. Which region dominates the global stock music market share?
  • 4. What are the significant trends in the stock music industry?
  • 5. Who are the key players in the global stock music market?
Product Code: ARZ230223

TABLE OF CONTENTS

1 RESEARCH METHODOLOGY

2 RESEARCH OBJECTIVES

3 RESEARCH PROCESS

4 SCOPE & COVERAGE

  • 4.1 MARKET DEFINITION
    • 4.1.1 Inclusions
    • 4.1.2 Exclusions
    • 4.1.3 Market Estimation Caveats
  • 4.2 BASE YEAR
  • 4.3 SCOPE OF THE STUDY
    • 4.3.1 Market Segmentation by Product
    • 4.3.2 Market Segmentation by License
    • 4.3.3 Market Segmentation by End-User
    • 4.3.4 Market Segmentation by Geography

5 REPORT ASSUMPTIONS & CAVEATS

  • 5.1 KEY CAVEATS
  • 5.2 CURRENCY CONVERSION
  • 5.3 MARKET DERIVATION

6 MARKET AT A GLANCE

7 PREMIUM INSIGHTS

  • 7.1 MARKET OVERVIEW
  • 7.2 MARKET DYNAMICS: KEY TRENDS, DRIVERS, AND RESTRAINTS
    • 7.2.1 Market Trends
    • 7.2.2 Market Drivers
    • 7.2.3 Market Restraints
  • 7.3 SEGMENT ANALYSIS
  • 7.4 GEOGRAPHICAL ANALYSIS
  • 7.5 COMPETITIVE LANDSCAPE

8 INTRODUCTION

  • 8.1 OVERVIEW
    • 8.1.1 Digital Globalization
    • 8.1.2 Trends and Success Factors in the Stock Music Market

9 MARKET OPPORTUNITIES & TRENDS

  • 9.1 SIMPLIFYING LICENSING
  • 9.2 INCREASING INTUITIVENESS OF FILTERS
  • 9.3 GROWTH OF PLATFORM INTEGRATIONS
  • 9.4 RISING NEED FOR AUTHENTICITY
  • 9.5 IMMERSIVE SOUND DESIGN GAINING GROUND

10 MARKET GROWTH ENABLERS

  • 10.1 RISE OF INDEPENDENT CONTENT CREATORS
  • 10.2 THE PODCAST RENAISSANCE
  • 10.3 AUDIO-BASED USER EXPERIENCES GAINING TRACTION
  • 10.4 GROWING POPULARITY OF A SOUND DESIGN-FIRST APPROACH
  • 10.5 GROWTH OF TV-STYLE PROGRAMMING

11 MARKET RESTRAINTS

  • 11.1 STORIES WITHOUT SOUND
  • 11.2 MASSIVE PROFUSION OF CHOICE
  • 11.3 GENERIC MUSIC SWEEPING THE MARKET
  • 11.4 INCREASING INTEREST IN CUSTOM MUSIC

12 MARKET LANDSCAPE

  • 12.1 MARKET OVERVIEW
  • 12.2 MARKET SIZE & FORECAST
  • 12.3 FIVE FORCES ANALYSIS
    • 12.3.1 Threat of New Entrants
    • 12.3.2 Bargaining Power of Suppliers
    • 12.3.3 Bargaining Power of Buyers
    • 12.3.4 Threat of Substitutes
    • 12.3.5 Competitive Rivalry

13 PRODUCT

  • 13.1 MARKET SNAPSHOT & GROWTH ENGINE
  • 13.2 MARKET OVERVIEW
  • 13.3 TRACK
    • 13.3.1 Market Size & Forecast
    • 13.3.2 Market by Geography
  • 13.4 SOUND EFFECT
    • 13.4.1 Market Size & Forecast
    • 13.4.2 Market by Geography

14 END-USER

  • 14.1 MARKET SNAPSHOT & GROWTH ENGINE
  • 14.2 MARKET OVERVIEW
  • 14.3 LARGE BUSINESSES
    • 14.3.1 Market Size & Forecast
    • 14.3.2 Market by Geography
  • 14.4 SME
    • 14.4.1 Market Size & Forecast
    • 14.4.2 Market by Geography
  • 14.5 INDIVIDUAL CONTENT CREATORS
    • 14.5.1 Market Size & Forecast
    • 14.5.2 Market by Geography

15 LICENSE

  • 15.1 MARKET SNAPSHOT & GROWTH ENGINE
  • 15.2 MARKET OVERVIEW
  • 15.3 LICENSED MUSIC
    • 15.3.1 Market Size & Forecast
    • 15.3.2 Market by Geography
  • 15.4 ROYALTY-FREE
    • 15.4.1 Market Size & Forecast
    • 15.4.2 Market by Geography

16 GEOGRAPHY

  • 16.1 MARKET SNAPSHOT & GROWTH ENGINE
  • 16.2 GEOGRAPHIC OVERVIEW

17 NORTH AMERICA

  • 17.1 KEY HIGHLIGHTS
  • 17.2 MARKET SIZE & FORECAST
  • 17.3 PRODUCT
    • 17.3.1 Market Size & Forecast
  • 17.4 END-USER
    • 17.4.1 Market Size & Forecast
  • 17.5 LICENSE
    • 17.5.1 Market Size & Forecast
  • 17.6 KEY COUNTRIES
    • 17.6.1 US: Market Size & Forecast
    • 17.6.2 Canada: Market Size & Forecast

18 APAC

  • 18.1 KEY HIGHLIGHTS
  • 18.2 MARKET SIZE & FORECAST
  • 18.3 PRODUCT
    • 18.3.1 Market Size & Forecast
  • 18.4 END-USER
    • 18.4.1 Market Size & Forecast
  • 18.5 LICENSE
    • 18.5.1 Market Size & Forecast
  • 18.6 KEY COUNTRIES
    • 18.6.1 China: Market Size & Forecast
    • 18.6.2 Japan: Market Size & Forecast
    • 18.6.3 India: Market Size & Forecast
    • 18.6.4 South Korea: Market Size & Forecast
    • 18.6.5 Australia: Market Size & Forecast
    • 18.6.6 Indonesia: Market Size & Forecast
    • 18.6.7 Philippines: Market Size & Forecast
    • 18.6.8 Taiwan: Market Size & Forecast

19 EUROPE

  • 19.1 KEY HIGHLIGHTS
  • 19.2 MARKET SIZE & FORECAST
  • 19.3 PRODUCT
    • 19.3.1 Market Size & Forecast
  • 19.4 END-USER
    • 19.4.1 Market Size & Forecast
  • 19.5 LICENSE
    • 19.5.1 Market Size & Forecast
  • 19.6 KEY COUNTRIES
    • 19.6.1 UK: Market Size & Forecast
    • 19.6.2 Germany: Market Size & Forecast
    • 19.6.3 France: Market Size & Forecast
    • 19.6.4 Italy: Market Size & Forecast
    • 19.6.5 Russia: Market Size & Forecast
    • 19.6.6 Spain: Market Size & Forecast
    • 19.6.7 Sweden: Market Size & Forecast
    • 19.6.8 Switzerland: Market Size & Forecast

20 LATIN AMERICA

  • 20.1 KEY HIGHLIGHTS
  • 20.2 MARKET SIZE & FORECAST
  • 20.3 PRODUCT
    • 20.3.1 Market Size & Forecast
  • 20.4 END-USER
    • 20.4.1 Market Size & Forecast
  • 20.5 LICENSE
    • 20.5.1 Market Size & Forecast
  • 20.6 KEY COUNTRIES
    • 20.6.1 Brazil: Market Size & Forecast
    • 20.6.2 Mexico: Market Size & Forecast
    • 20.6.3 Argentina: Market Size & Forecast

21 MIDDLE EAST & AFRICA

  • 21.1 KEY HIGHLIGHTS
  • 21.2 MARKET SIZE & FORECAST
  • 21.3 PRODUCT
    • 21.3.1 Market Size & Forecast
  • 21.4 END-USER
    • 21.4.1 Market Size & Forecast
  • 21.5 LICENSE
    • 21.5.1 Market Size & Forecast
  • 21.6 KEY COUNTRIES
    • 21.6.1 UAE: Market Size & Forecast
    • 21.6.2 South Africa: Market Size & Forecast
    • 21.6.3 Saudi Arabia: Market Size & Forecast

22 COMPETITIVE LANDSCAPE

  • 22.1 COMPETITION OVERVIEW

23 KEY COMPANY PROFILES

  • 23.1 ENVATO
    • 23.1.1 Business Overview
    • 23.1.2 Product Offerings
    • 23.1.3 Key Strategies
    • 23.1.4 Key Strengths
    • 23.1.5 Key Opportunities
  • 23.2 ENTERTAINMENT ONE
    • 23.2.1 Business Overview
    • 23.2.2 Product Offerings
    • 23.2.3 Key Strategies
    • 23.2.4 Key Strengths
    • 23.2.5 Key Opportunities
  • 23.3 GETTY IMAGES
    • 23.3.1 Business Overview
    • 23.3.2 Product Offerings
    • 23.3.3 Key Strategies
    • 23.3.4 Key Strengths
    • 23.3.5 Key Opportunities
  • 23.4 MUSICBED
    • 23.4.1 Business Overview
    • 23.4.2 Product Offerings
    • 23.4.3 Key Strategies
    • 23.4.4 Key Strengths
    • 23.4.5 Key Opportunities
  • 23.5 SHUTTERSTOCK
    • 23.5.1 Business Overview
    • 23.5.2 Product Offerings
    • 23.5.3 Key Strategies
    • 23.5.4 Key Strengths
    • 23.5.5 Key Opportunities

24 OTHER PROMINENT VENDORS

  • 24.1 TRIBE OF NOISE
    • 24.1.1 Business Overview
    • 24.1.2 Product Offerings
  • 24.2 MEDIA MUSIC NOW
    • 24.2.1 Business Overview
    • 24.2.2 Product Offerings
  • 24.3 SOUNDCLOUD
    • 24.3.1 Business Overview
    • 24.3.2 Product Offerings
  • 24.4 123RF
    • 24.4.1 Business Overview
    • 24.4.2 Product Offerings
  • 24.5 ARTLIST
    • 24.5.1 Business Overview
    • 24.5.2 Product Offerings
  • 24.6 AUDIOSOCKET
    • 24.6.1 Business Overview
    • 24.6.2 Product Offerings
  • 24.7 BENSOUND
    • 24.7.1 Business Overview
    • 24.7.2 Product Offerings
  • 24.8 DREAMSTIME
    • 24.8.1 Business Overview
    • 24.8.2 Product Offerings
  • 24.9 FYRFLY
    • 24.9.1 Business Overview
    • 24.9.2 Product Offerings
  • 24.1 JAMENDO
    • 24.10.1 Business Overview
    • 24.10.2 Product Offerings
  • 24.11 MOTION ARRAY
    • 24.11.1 Business Overview
    • 24.11.2 Product Offerings
  • 24.12 MUSIC VINE
    • 24.12.1 Business Overview
    • 24.12.2 Product Offerings
  • 24.13 VIDEVO
    • 24.13.1 Business Overview
    • 24.13.2 Product Offerings
  • 24.14 STORYBLOCKS
    • 24.14.1 Business Overview
    • 24.14.2 Product Offerings
  • 24.15 SOUNDSNAP
    • 24.15.1 Business Overview
    • 24.15.2 Product Offerings
  • 24.16 EARMOTION AUDIO CREATION
    • 24.16.1 Business Overview
    • 24.16.2 Product Offerings
  • 24.17 EPIDEMIC SOUND
    • 24.17.1 Business Overview
    • 24.17.2 Product Offerings
  • 24.18 POND5
    • 24.18.1 Business Overview
    • 24.18.2 Product Offerings
  • 24.19 MUSICREVOLUTION
    • 24.19.1 Business Overview
    • 24.19.2 Product Offerings
  • 24.2 MARMOSET
    • 24.20.1 Business Overview
    • 24.20.2 Product Offerings
  • 24.21 SOUNDSTRIPE
    • 24.21.1 Business Overview
    • 24.21.2 Product Offerings
  • 24.22 NEOSOUNDS
    • 24.22.1 Business Overview
    • 24.22.2 Product Offerings
  • 24.23 THE MUSIC CASE
    • 24.23.1 Business Overview
    • 24.23.2 Product Offerings

25 REPORT SUMMARY

  • 25.1 KEY TAKEAWAYS
  • 25.2 STRATEGIC RECOMMENDATIONS

26 QUANTITATIVE SUMMARY

  • 26.1 MARKET BY GEOGRAPHY
  • 26.2 NORTH AMERICA
    • 26.2.1 Product
    • 26.2.2 End-User
    • 26.2.3 License
  • 26.3 APAC
    • 26.3.1 Product
    • 26.3.2 End-User
    • 26.3.3 License
  • 26.4 EUROPE
    • 26.4.1 Product
    • 26.4.2 End-User
    • 26.4.3 License
  • 26.5 LATIN AMERICA
    • 26.5.1 Product
    • 26.5.2 End-User
    • 26.5.3 License
  • 26.6 MIDDLE EAST & AFRICA
    • 26.6.1 Product
    • 26.6.2 End-User
    • 26.6.3 License
  • 26.7 PRODUCT
    • 26.7.1 Track
    • 26.7.2 Sound Effect
  • 26.8 END-USER
    • 26.8.1 Large Businesses
    • 26.8.2 SMEs
    • 26.8.3 Individual Content Creators
  • 26.9 LICENSE
    • 26.9.1 Licensed
    • 26.9.2 Royalty-Free

27 APPENDIX

  • 27.1 ABBREVIATIONS
Product Code: ARZ230223

LIST OF EXHIBITS

  • Exhibit 1 Segmentation of the Global Stock Music Market
  • Exhibit 2 Market Size Calculation Approach 2022
  • Exhibit 3 Global Stock Music Market 2023 & 2028 (million)
  • Exhibit 4 CAGR Comparison by Geography 2022-2028
  • Exhibit 5 Key Players in the Global Stock Music Market
  • Exhibit 6 Incremental Growth Analysis for Global Stock Music Market 2022 - 2028
  • Exhibit 7 Recorded Music by Segment 2021 (% share)
  • Exhibit 8 Impact of Simplifying Licensing
  • Exhibit 9 Impact of Increasing Intuitiveness of Filters
  • Exhibit 10 Impact of Growth of Platform Integrations
  • Exhibit 11 Impact of Rising Need for Authenticity
  • Exhibit 12 Impact of Immersive Sound Design Gaining Ground
  • Exhibit 13 Smart Speakers Statistics 2019 vs 2021
  • Exhibit 14 Impact of Rise of Independent Content Creators
  • Exhibit 15 Impact of the Podcast Renaissance
  • Exhibit 16 Impact of Audio-based User Experiences Gaining Traction
  • Exhibit 17 Impact of Growing Popularity of a Sound Design-first Approach
  • Exhibit 18 Impact of Growth of TV-Style Programming
  • Exhibit 19 Statistics for Social Media and Video-on-Demand 2023
  • Exhibit 20 Impact of Stories Without Sound
  • Exhibit 21 Silent Video Statistics 2022
  • Exhibit 22 Impact of Massive Profusion of Choice
  • Exhibit 23 Impact of Generic Music Sweeping the Market
  • Exhibit 24 Impact of Increasing Interest in Custom Music
  • Exhibit 25 Incremental Revenue Growth Analysis for Global Stock Music Market
  • Exhibit 26 Market Overview: Global Stock Music Market (Revenue)
  • Exhibit 27 Global Stock Music Market 2022-2028 ($ million)
  • Exhibit 28 Five Forces Analysis 2022
  • Exhibit 29 Incremental Growth by Product 2022 & 2028
  • Exhibit 30 Global Stock Music Market by Product: Overview
  • Exhibit 31 Global Stock Music Track Market 2022-2028 ($ million)
  • Exhibit 32 Global Stock Music Sound Effect Market 2022-2028 ($ million)
  • Exhibit 33 Incremental Growth by End-User 2022 & 2028
  • Exhibit 34 Global Stock Music Market by End-User: Overview
  • Exhibit 35 Global Large Businesses Stock Music Market 2022-2028 ($ million)
  • Exhibit 36 Global SMEs Stock Music Market 2022-2028 ($ million)
  • Exhibit 37 Global Individual Content Creators Stock Music Market 2022-2028 ($ million)
  • Exhibit 38 Incremental Growth by License 2022 & 2028
  • Exhibit 39 Global Stock Music Market by License: Overview
  • Exhibit 40 Global Licensed Stock Music Market 2022-2028 ($ million)
  • Exhibit 41 Global Royalty-Free Stock Music Market 2022-2028 ($ million)
  • Exhibit 42 Incremental Growth by Geography 2022 & 2028
  • Exhibit 43 Stock Music Market Share of Key Geographies 2022 (% revenue share)
  • Exhibit 44 North America Statistics by Application
  • Exhibit 45 Stock Music Market in North America 2022-2028 ($ million)
  • Exhibit 46 Incremental Growth in North America 2022 & 2028
  • Exhibit 47 Stock Music Market in the US 2022-2028 ($ million)
  • Exhibit 48 Stock Music Market in Canada 2022-2028 ($ million)
  • Exhibit 49 APAC Statistics by Application
  • Exhibit 50 APAC: Incremental Growth Analysis by Product 2022 to 2028
  • Exhibit 51 Stock Music Market in APAC 2022-2028 ($ million)
  • Exhibit 52 Incremental Growth in APAC 2022 & 2028
  • Exhibit 53 Stock Music Market in China 2022-2028 ($ million)
  • Exhibit 54 Stock Music Market in Japan 2022-2028 ($ million)
  • Exhibit 55 Stock Music Market in India 2022-2028 ($ million)
  • Exhibit 56 Stock Music Market in South Korea 2022-2028 ($ million)
  • Exhibit 57 Stock Music Market in Australia 2022-2028 ($ million)
  • Exhibit 58 Stock Music Market in Indonesia 2022-2028 ($ million)
  • Exhibit 59 Stock Music Market in the Philippines 2022-2028 ($ million)
  • Exhibit 60 Stock Music Market in Taiwan 2022-2028 ($ million)
  • Exhibit 61 Europe Statistics by Application
  • Exhibit 62 Europe: Incremental Growth Analysis by Product 2022 to 2028
  • Exhibit 63 Stock Music Market in Europe 2022-2028 ($ million)
  • Exhibit 64 Incremental Growth in Europe 2022 & 2028
  • Exhibit 65 Stock Music Market in the UK 2022-2028 ($ million)
  • Exhibit 66 Stock Music Market in Germany 2022-2028 ($ million)
  • Exhibit 67 Stock Music Market in France 2022-2028 ($ million)
  • Exhibit 68 Stock Music Market in Italy 2022-2028 ($ million)
  • Exhibit 69 Stock Music Market in Russia 2022-2028 ($ million)
  • Exhibit 70 Stock Music Market in Spain 2022-2028 ($ million)
  • Exhibit 71 Stock Music Market in Sweden 2022-2028 ($ million)
  • Exhibit 72 Stock Music Market in Switzerland 2022-2028 ($ million)
  • Exhibit 73 Latin America: Incremental Growth Analysis by Product 2022 to 2028
  • Exhibit 74 Stock Music Market in Latin America 2022-2028 ($ million)
  • Exhibit 75 Incremental Growth in Latin America 2022 & 2028
  • Exhibit 76 Stock Music Market in Brazil 2022-2028 ($ million)
  • Exhibit 77 Stock Music Market in Mexico 2022-2028 ($ million)
  • Exhibit 78 Stock Music Market in Argentina 2022-2028 ($ million)
  • Exhibit 79 Middle East & Africa: Incremental Growth Analysis by Product 2022 to 2028
  • Exhibit 80 Stock Music Market in the Middle East & Africa 2022-2028 ($ million)
  • Exhibit 81 Incremental Growth in the Middle East & Africa 2022 & 2028
  • Exhibit 82 Stock Music Market in the UAE 2022-2028 ($ million)
  • Exhibit 83 Stock Music Market in South Africa 2022-2028 ($ million)
  • Exhibit 84 Stock Music Market in Saudi Arabia 2022-2028 ($ million)
  • Exhibit 85 Competitive Factors for Vendors in the Stock Music Market

LIST OF TABLES

Table 1 Key Caveats

Table 2 Currency Conversion 2016-2022

Table 3 Global Stock Music Market by Product 2022-2028 ($ million)

Table 4 Global Stock Music Track Market by Geography 2022-2028 ($ million)

Table 5 Global Stock Music Sound Effect Market by Geography 2022-2028 ($ million)

Table 6 Global Stock Music Market by End-user 2022-2028 ($ million)

Table 7 Global Large Businesses Stock Music Market by Geography 2022-2028 ($ million)

Table 8 Global SMEs Stock Music Market by Geography 2022-2028 ($ million)

Table 9 Global Individual Content Creators Stock Music Market by Geography 2022-2028 ($ million)

Table 10 Global Stock Music Market by License 2022-2028 ($ million)

Table 11 Global Licensed Stock Music Market by Geography 2022-2028 ($ million)

Table 12 Global Royalty-Free Stock Music Market by Geography 2022-2028 ($ million)

Table 13 Global Stock Music Market by Geography 2022-2028 ($ million)

Table 14 North America Stock Music Market by Product 2022-2028 ($ million)

Table 15 North America Stock Music Market by End-User 2022-2028 ($ million)

Table 16 North America Stock Music Market by License 2022-2028 ($ million)

Table 17 APAC Stock Music Market by Product 2022-2028 ($ million)

Table 18 APAC Stock Music Market by End-User 2022-2028 ($ million)

Table 19 APAC Stock Music Market by License 2022-2028 ($ million)

Table 20 Europe Stock Music Market by Product 2022-2028 ($ million)

Table 21 Europe Stock Music Market by End-User 2022-2028 ($ million)

Table 22 Europe Stock Music Market by License 2022-2028 ($ million)

Table 23 Latin America Stock Music Market by Product 2022-2028 ($ million)

Table 24 Latin America Stock Music Market by End-User 2022-2028 ($ million)

Table 25 Latin America Stock Music Market by License 2022-2028 ($ million)

Table 26 Middle East & Africa Stock Music Market by Product 2022-2028 ($ million)

Table 27 Middle East & Africa Stock Music Market by End-User 2022-2028 ($ million)

Table 28 Middle East & Africa Stock Music Market by License 2022-2028 ($ million)

Table 29 Envato: Major Product Offerings

Table 30 Entertainment One: Major Product Offerings

Table 31 Getty Images: Major Product Offerings

Table 32 Musicbed: Major Product Offerings

Table 33 Shutterstock: Major Product Offerings

Table 34 Tribe of Noise: Major Product Offerings

Table 35 Media Music Now: Major Product Offerings

Table 36 SoundCloud: Major Product Offerings

Table 37 123RF: Major Product Offerings

Table 38 Artlist: Major Product Offerings

Table 39 Audiosocket: Major Product Offerings

Table 40 Bensound: Major Product Offerings

Table 41 Dreamstime: Major Product Offerings

Table 42 FyrFly: Major Product Offerings

Table 43 Jamendo: Major Product Offerings

Table 44 Motion Array: Major Product Offerings

Table 45 Music Vine: Major Product Offerings

Table 46 Videvo: Major Product Offerings

Table 47 Storyblocks: Major Product Offerings

Table 48 Soundsnap: Major Product Offerings

Table 49 Earmotion: Major Product Offerings

Table 50 Epidemic Sound: Major Product Offerings

Table 51 Pond5: Major Product Offerings

Table 52 MusicRevolution: Major Product Offerings

Table 53 Marmoset: Major Product Offerings

Table 54 Soundstripe: Major Product Offerings

Table 55 Neosounds: Major Product Offerings

Table 56 The Music Case: Major Product Offerings

Table 57 Global Stock Music Market by Geography 2022-2028 ($ million)

Table 58 North America Stock Music Market by Product 2022-2028 ($ million)

Table 59 North America Stock Music Market by End-User 2022-2028 ($ million)

Table 60 North America Stock Music Market by License 2022-2028 ($ million)

Table 61 APAC Stock Music Market by Product 2022-2028 ($ million)

Table 62 APAC Stock Music Market by End-User 2022-2028 ($ million)

Table 63 APAC Stock Music Market by License 2022-2028 ($ million)

Table 64 Europe Stock Music Market by Product 2022-2028 ($ million)

Table 65 Europe Stock Music Market by End-User 2022-2028 ($ million)

Table 66 Europe Stock Music Market by License 2022-2028 ($ million)

Table 67 Latin America Stock Music Market by Product 2022-2028 ($ million)

Table 68 Latin America Stock Music Market by End-User 2022-2028 ($ million)

Table 69 Latin America Stock Music Market by License 2022-2028 ($ million)

Table 70 Middle East & Africa Stock Music Market by Product 2022-2028 ($ million)

Table 71 Middle East & Africa Stock Music Market by End-User 2022-2028 ($ million)

Table 72 Middle East & Africa Stock Music Market by License 2022-2028 ($ million)

Table 73 Global Stock Music Market by Product 2022-2028 ($ million)

Table 74 Global Stock Music Track Market by Geography 2022-2028 ($ million)

Table 75 Global Stock Music Sound Effect Market by Geography 2022-2028 ($ million)

Table 76 Global Stock Music Market by End-User 2022-2028 ($ million)

Table 77 Global Large Businesses Stock Music Market by Geography 2022-2028 ($ million)

Table 78 Global SME Stock Music Market by Geography 2022-2028 ($ million)

Table 79 Global Individual Content Creators Stock Music Market by Geography 2022-2028 ($ million)

Table 80 Global Stock Music Market by License 2022-2028 ($ million)

Table 81 Global Licensed Stock Music Market by Geography 2022-2028 ($ million)

Table 82 Global Royalty-Free Stock Music Market by Geography 2022-2028 ($ million)

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